Charles Weidman (1901-1975) was an influential American dancer, choreographer, and teacher, primarily associated with modern dance rather than conventional music genres. Although he is not a musician in the traditional sense, his work had a significant impact on the integration of dance and music. Weidman was a key figure in the development of modern dance in the United States and a co-founder of the Humphrey-Weidman School of Dance. Notable works include his choreography for pieces like "Lynchtown" (1936), which addressed social issues and showcased his innovative use of movement to convey emotion and narrative. He also created works such as "The Boy Who Danced on Air" (1936) and "The New Dance" (1951), which blended elements of traditional ballet with modern techniques. Weidman's impact on music primarily stems from his collaborations with composers and musicians, enhancing the relationship between dance and musical expression. His pedagogical contributions helped shape future generations of dancers and choreographers, solidifying his legacy in the evolution of American modern dance and its intersection with music.